I sat down with Gale Clay, aka DJ Cocomotion - The Music Mixologist. Her passion for music is infectious, and her experiences as a DJ since 1990, starting at a college radio station, are nothing short of inspiring. From the origin of her DJ name to her favorite superhero powers, Gale paints an intricate picture of her life, hobbies, and journey through the world of music. Tune in to hear about the art of record mixing she learned from a fellow DJ and how her love for music has been a profound part of her life.
Gale talks about having her show syndicated and the benefits of it. Find out what it was like in the beginning being a female DJ in this male-dominated industry, her take on AI, and more. So, prepare for a journey that promises revelations, retrospection, and a glimpse into the future of music.
https://linktr.ee/deblamotta
I sat down with Gale Clay, aka DJ Cocomotion - The Music Mixologist. Her passion for music is infectious, and her experiences as a DJ since 1990, starting at a college radio station, are nothing short of inspiring. From the origin of her DJ name to her favorite superhero powers, Gale paints an intricate picture of her life, hobbies, and journey through the world of music. Tune in to hear about the art of record mixing she learned from a fellow DJ and how her love for music has been a profound part of her life.
Gale talks about having her show syndicated and the benefits of it. Find out what it was like in the beginning being a female DJ in this male-dominated industry, her take on AI, and more. So, prepare for a journey that promises revelations, retrospection, and a glimpse into the future of music.
https://linktr.ee/deblamotta
Hi and welcome to the R2RB podcast series, and tonight I have with me Gail Clay, DJ Coco Motion, the music mixologist. Hi Gale, thank you for being here on the R2RB podcast. How's the weather up your way, by the way?
Speaker 2:Well, november it's cold. We got lucky today it was in the 60s and I think tomorrow will be in the 60s, but then after that it's like heading straight into winter.
Speaker 1:You know, we've had some days I woke up and it's been like 25, you know, yeah, so I'm down here in Delaware and it's usually about between five and 10 degrees warmer down here. It actually was very warm down here, and I will not complain, because I'm not a big winter person anymore. Oh, okay, yeah, yeah, a lot of people say that I don't mind it.
Speaker 2:You know I moved south for a few years and you know I figured, you know, being in New Englander, I just I needed my seasons. You know it just, oh, you know.
Speaker 1:I do, I do. I do miss the fall. I see the beautiful pictures of all the beautiful colors in the foliage that we don't have down here. We have some color in Delaware, but what a difference. I mean it takes me about four hours to get up to Connecticut and what a difference just with the colors. And that part I do miss. Yeah yeah, absolutely All right. So I like to ask two or maybe three questions to get us warmed up. If you could have any superhero power, which one would you have?
Speaker 2:I would have to go with invisibility, so then I can go from club to club and venue to venue and see what's really going on.
Speaker 1:you know, I like that. I like that. All right, what's your favorite app on your phone, and why?
Speaker 2:Okay, well, don't laugh. But I have a language app on my phone that I use a lot oh cool, and I'm learning Spanish and I like all the apps and everything. I think they're cool, but for me, if I'm not gonna benefit from it, it's not gonna give me a leg up, Right? I'm not gonna waste a lot of time on it. So I pick something and it's like 15 minutes a day. It is not like you're gonna learn overnight, but you learn slowly. So I spent a lot of time on that app, pretty much on my phone and like a couple of games that I play.
Speaker 1:Oh cool, I like that. Yeah, I've used one of the language apps too. Yeah, slow is the best way to learn. And it's funny how much you pick up and when you think you haven't really picked up anything.
Speaker 2:So that's awesome.
Speaker 1:All right. So how did you come up with your DJ name?
Speaker 2:Well, I thought about. Well, this is my second name actually. Like when I first started out, when I was on WYBC, I was a DJ DivaG.
Speaker 1:Okay.
Speaker 2:And then, a little while it was down the road, I decided I wanted to kind of like, just change everything, because I was gonna start doing house and DivaG was more connected with hip hop and things like that. So and I was thinking of the name and I said, well, I thought of this song, locomotion and then I was like, oh you know what, well, I'm Coco, so I'm gonna be Coco-Bosch, I like it.
Speaker 1:And then you added the mixologist part yeah, and then I added the music mixologist yeah, I like that.
Speaker 2:Yeah.
Speaker 1:All right. So before I started asking questions about being a DJ, what do you like to do in your free time and do you have like three other jobs that you do as well?
Speaker 2:Let's see, in my free time I have a T-shirt line. Oh, really, I spend a lot of time doing like graphic design, because I create all my own designs and everything I do vendoring, you know, sometimes not as much as I used to, but I've been getting back into that. What else do I do? I do everything creative, like I'm an artist, like I draw. So I just spent a lot of time creating art and music.
Speaker 1:That's what I like to say it sounds very soothing and therapeutic.
Speaker 2:Yeah, you know.
Speaker 1:Yeah, absolutely so. You've been a DJ since 1990?.
Speaker 2:Yes.
Speaker 1:And where did you first start DJing at?
Speaker 2:WYBC. Is that out in?
Speaker 1:Connecticut.
Speaker 2:That's the Yale station. Like you know, it used to be the Yale Broadcasting Company, but now it's kind of morphed into more of like from a college commercial to kind of like a straight commercial station. So it's a lot different from when I was on it. But yeah, so back then you could volunteer, you could be a volunteer community member and with that you learned every aspect of radio. You know, you could be a DJ, you could do production, you could get in the music department and all they asked you to do was just, you know, volunteer so much your time a week. So that's how I got into it.
Speaker 2:I started volunteering there and I started out doing the jazz format and then I went to the urban format. And when I got on the urban format I met this guy and we used to do a show together. I was the host and I asked him to teach me how to mix records, cause to me he was like the most amazing DJ I had ever seen or heard. I used to sit and watch him just in awe. You know the things he was doing. And so he agreed to help me. He took me under his wing and now here I am.
Speaker 1:Yeah, exactly here you are, it's right and so. So music's always been a part of who you are.
Speaker 2:Oh, absolutely. I've always been in love with music, ever since I was old enough to understand the concept of it.
Speaker 1:Wow.
Speaker 2:And just it blows me away, still Wow.
Speaker 1:Wow, oh my God, yeah, after all this time. So did you know back then you wanted to be a DJ. Did you always? Did you think about it, or was it just music? And then you ended up at the radio station. Well, I never.
Speaker 2:I thought a little bit about being like a cause back then. You know like radio was different.
Speaker 2:Like we have actual jocks, you know what I'm saying. And everybody had a slot. And you know I thought about it, especially when I got to WIBC. I really enjoyed it, but I really wanted to be a music DJ. And I remember the first time I went to a party. My sister's a graduated from UConn and so when I was like a sophomore in high school she would invite me to the parties up there.
Speaker 2:And I went to this one party and this is the moment I knew it was in somebody's basement. It was like one of these underground parties. So I'm standing there and this DJ was just, it was just amazing. But I stood and I stared at him and then from that moment on, when I left that party, I decided I was gonna figure out how, cause I knew nothing about turntables, mixers, nothing. And I was like I gotta figure this out. So then I was on a mission and so then when I met my friend Lee and he actually showed me how to use the equipment, it was that's all I needed. I just needed somebody to tell me what to do, how to do it, and then I will be good. And so that's what happened. I mean, that was the moment. That was the moment I knew when I saw that guy it was Yukon Hardy.
Speaker 1:And it grabs your soul. It just grabs you right. Because, I have Ron, my partner, and then Ron Kay, who's also on R2RB. That's it just is who they are. Yeah, it becomes them right. Absolutely, absolutely. Wow, so we talked about your show being syndicated. How did you end up being on Cyndi Cause? That's where I found you.
Speaker 2:Yeah, my goal was to be syndicated, cause I used to listen to. What is this DJ's name? He used to play these mixes on WYBC. He's Steve's, so curly.
Speaker 1:Oh, okay.
Speaker 2:So they would do like a 15, 20 minute mix every morning and he would like blend these records and they would just be like it was just amazing and I was like, wow, that's really cool. And so I was like I would like to do that. And so it was always in the back of my mind. So then when I started like doing house and kind of like being on my own, I looked into it. I read two books on how to be syndicated you know what I'm saying, cause I was trying to figure out how to do it. So I read the two books and I did all the steps and I got to where they said you could do X, y and Z. But then I had to find platforms and I couldn't. I didn't want to sit on the internet and scour different states for different stations. You don't know who's doing what, who's playing what, even if they're still on the air.
Speaker 2:You know, stuff like that. So I just went on and I typed in syndication, syndication, syndicated radio shows, and then Cindy shows came up, and so, like I was saying, I was like, oh, I'm gonna just post, I'm gonna see if I get any bites, you know. So I put it up there and people started contacting me.
Speaker 1:Yeah, and that's how, like I said, that's how I found you and that was exactly the same search that I put into. So, yeah, that was pretty cool and you're from Connecticut. You're originally from Connecticut, mm-hmm. Okay, is there any cons about being anything negative about being syndicated?
Speaker 2:Not so far, cause this is the first like my first year doing this. I haven't had anything negative yet.
Speaker 1:But it's helped you grow.
Speaker 2:Oh, absolutely, exposure is unbelievable. I mean, I'm in the UK, I have, like I'm gonna pick up another station in the UK, so there'll be three stations. I never dreamed that my show would be across the pond Right. You know, I never thought that would happen.
Speaker 1:But that's the beauty of it. Now with. I mean, I know there's a lot of negatives, but I think there's also a lot of good things coming out of the internet and internet broadcasting and network, and so you're just a radio DJ. Do you do any mobile?
Speaker 2:I have done mobile Mobile's okay. The only thing I don't like every time well, not every time, but most times like when someone hires me to do a party, it's just like they hired me to be the DJ but then the whole night they're being the DJ and that kind of annoys me a little bit. And then it's always issued, Like a lot of people don't understand what goes into, like doing an event, like bringing the equipment, setting it up, the sound check, lugging stuff, all of that, and it takes time and people. They don't think about that aspect, though. They think about well, I only need you for three hours, so why is it $350,? You know what I'm saying and you know. So it just yeah, it gets to be too much of a hassle, right, yeah.
Speaker 1:And going back to you know them, being a DJ. Well, you are the DJ, and doesn't it like mess up your mixes to have people interrupt? Yeah, you get into that flow.
Speaker 2:Yes, and see, I'm a freestyle mixer, like I don't use playlist or anything Like when I mix I just have my library and I'll just like pick a BPMs, like maybe this week I want to do something at 125. And then I'll just go in there and, just you know, bang out the mix. And I do the same if I'm doing an event as well. Like everything is just completely off the top of my head. So if you, somebody comes over and oh, I want to hear such and such and it doesn't fit with what I'm doing, you know, and then you're right, it just kind of messes up the flow. I mean, you know, just let the DJ do the thing, you know.
Speaker 1:Yeah, absolutely. And I think one of the amazing things for me, knowing you and Ron and DJ Sister Love, who's also on the network, and DJ Ron Kay I don't know how you all have that all in your head. You know all the music, you know what to grab, you know where it is going, way back when, and I'm like, well, wait a minute, I got it. I'm still looking for something I don't know. That that's why I said I'm not a DJ, I'm a talk show host. Excuse me.
Speaker 2:Well, that comes from a like. I don't know how long, like the other two have been DJing, but that is what a seasoned DJ is Like. You have a lot of like startups and up and comings or people who like just because like it's easier now because you have a controller, as opposed to having to learn how to use 12 10s. Everybody thinks that just because you have equipment, that makes you a DJ, but that's not the case. You have to. Like.
Speaker 2:My library dates back to the 1990s, when we're talking about hip hop, I go back really far, like the whole bad boy era. But even before that and because, like, I've had these songs for so long and then when you play them, like when you get certain reactions to the songs, those songs stick in your head. Like you know, you can pull a certain song by Biggie and the crowd is gonna go nuts just because you've done it before and see, that's what being a seasoned DJ means. It doesn't mean, okay, I got a controller and a computer and I got five and I got a library of stuff. You know what I'm saying. It doesn't work like that. You have to learn to make everything mesh. It just takes time.
Speaker 1:Exactly. It takes the time, and so, going back from when you started DJing to where we are now, things have changed dramatically, and so, for you, are there things that you would want to bring back from you know, when you first started out I'd want to bring back if I could, I'd like to bring back like when radio stations were really like the thing you know what I'm saying, because it was so much fun.
Speaker 2:You know what I'm saying. Now, with the internet, everybody's isolated in their own musical world, you know what I'm saying and they don't understand. Like there's so much more out there and if you just open up, you know, to other things, you'd be amazed what you could learn and like the fun you can have. And, like you know, I missed the contests and I missed, you know, breaking records and I miss, you know all of that. Like the labor reps coming by like giving you product, you know all that stuff. I wish they could bring that back. And I would also like to have back real talent and real singers and real music with like instruments you know.
Speaker 1:Absolutely, I know, and both the rons probably have been DJing for at least 40 years.
Speaker 2:Okay.
Speaker 1:Yeah, and I love to listen to the stories about you know running down to the record store to get the newest single.
Speaker 2:Oh yeah.
Speaker 1:And getting it in the mix. Before you know, somebody else gets it in there.
Speaker 2:It used to be so bad, like because you, you were underprotected, like I had this one. I don't forget. I had this one song by this artist named Paula Perry. Right, and I used to. I would be in dollar bins If I saw something at the Goodwill. I was in there, I was everywhere and I found this and it was a gem. You know what I'm saying. So I was doing a Saturday night dance party, so that was the first record I put on was this song by Paula Perry. And the mistake is I didn't hide the label because people put stickers over the labels, you know, just so nobody could know what the record was. You know, you might know the color of it, but you don't know the name, you know. So, ron, this other guy, ron, runs in there and he leans over to the turntable and he's trying to see what the record is, you know.
Speaker 1:And I was like, oh my God, but I totally get it, because so the two Rons have been friends also forever and they'll tell the story like Ron Tall Ron would get the first release and then Ron Kay would call him and is like where'd you get that? Who was that? What are you doing?
Speaker 2:Yeah, yeah.
Speaker 1:But I don't even think DJs now understand protecting and you wanted to be the first and you don't want other people to know what you're spinning.
Speaker 2:Yeah, yeah, that's true. Like you can get away with it. Like with house music, you can definitely get away with it because it's not so mainstream. You know, like I've heard things that other DJs have played that I was like God, I wonder what that? And I was the same way. What is that? You know what I'm saying and you kind of want to stay by and look at the monitor. You know, you just catch a glimpse of the name.
Speaker 1:But yeah, yeah, oh yeah, it's definitely changed, but I'm so glad that we have still have DJs like you, thank you. So you do the house mixes, do you have and you're on the radio? Do you do different formats, different genres or just the house?
Speaker 2:I can do. I can do. Well, that's how I got the mixologist part of my name, because I was thinking, because I can mix anything, I mean I can play, I can do anything. That's the way I feel like I can. I can do hip hop, I can do like like a nice R&B, I can do Neosoul, I can do jazz, I can. I know classic rock, I know you know whatever. And if I had to do something like I could do something decent with it. So and I was like well, I can do a lot of different genres, kind of like a bartender can mix a lot of different alcohols.
Speaker 1:Right.
Speaker 2:So I call myself the music mixologist.
Speaker 1:There you go. Oh my gosh. So I know that other DJs don't always like to share their knowledge or what have you? Did you have a mentor in the beginning? I know you had DJs that you liked, oh yeah.
Speaker 2:Yeah, my, my friend Lee, okay, he was the one that took me under his wing. He's, I mean, he showed me everything and you know, and I owe a lot to him because if it wasn't for him, you know, being nice enough to teach me how to mix, then, like I wouldn't have any skills that I have today and like I said to me, he was the one of the best DJs I had ever seen. And when I tell you I was in awe, I would just be like I just stare at him. You know what I'm saying? And yeah, so he was responsible for me learning everything that I know.
Speaker 1:Was he from Connecticut as well?
Speaker 2:Yeah, we both lived in New Haven. He was like we did the Saturday Night Dance Party together, like I was a host, he was the DJ and then eventually I graduated to have on my own show. So then it was. So I think I would go on. He would go on first and I would have like the 11 to two slot, you know, and yeah, wow, yeah, I think we all need.
Speaker 1:No matter what business you're in, I think you always need a mentor or somebody to be able to fall back on and, you know, be there for you through it all. What advice would you give somebody wanting to be a DJ these days, and more than just you know picking up a small controller and run out the door with it? I mean somebody who really wants to be into the DJing.
Speaker 2:What I would say, and I learned this myself if you're going to be, if you want to do this, then you have to put in the time. You can't fake it because eventually it will show like, especially like if you're out doing something and you're just whack. You know what I'm saying Because you haven't put in the time. You know it's more than just playing like the hot songs. You have to. I say, if you have a controller, the best thing you can do or turn tables or whatever you're using you have to make it your best friend and the more you work with it and the more you talk to it, it'll reveal secrets to you. But you'll never know those secrets if you don't make it your friend.
Speaker 1:I like that yeah, yeah, make it your friend and spend the time. I mean yeah, absolutely, and find a good way to do it.
Speaker 2:It's like cultivating a relationship. You know that's right?
Speaker 1:Yeah, because if you're going to make it your life, it's exactly what you're getting into is a relationship with it. So you've been on traditional radio and online, is there? One is one better over the other.
Speaker 2:I think, like right now, the online for me works well. Before the Peace Living House show, I was on WESU in Middletown, Wesleyan. There's a lot of the college radio for the simple fact that I like the creative freedom, you know, like you know how commercial radio is, you know you got a song you get from this listen, you're fired back. So I pretty much stuck with a lot of college radio and I did this show called Strictly Off the Head for five years and it was a hip hop mix show Every Friday night 10.30 to 11,. I was in Middletown at the radio station, you know, doing the show and it was a huge commitment you know what I'm saying Because I didn't have a Friday night, Like I wasn't going out, I wasn't at the bar, I wasn't at the club, I was at the radio station, you know, and with me now I do my mix for the week and it's everywhere at once. So I don't even have to, you know, I can, just from the comfort of my own home, I can be everywhere at once.
Speaker 1:And do you do your recording at home? What's been the best part of being a DJ?
Speaker 2:When like doing something and people enjoying your work or seeing people dance, you know, have a good time. I think that's what I like the most about it. I always say that's the best part. The worst part is breaking everything down you know, yeah, I mean you definitely.
Speaker 1:Again. People don't realize all the things that you do have to set up and then you have to break it down. Yeah, yeah, Do you go back? Do you do it by yourself?
Speaker 2:Yeah, or sometimes I'll like, if I'm doing this for someone, I'll tell them they have to have someone. You know, at least carry in the speakers, because right now, thank God, it's just the controller and the computer, so I can come in with like one bag and the speakers. You know what I'm saying. So it's a before it was the turntables, the vinyl, you know, and everything that comes along with that. So it's a much easier thing to do. So that's what allows me, like if I didn't have anybody I could probably do it by myself. You know what I'm saying, because it's not huge, you know what I'm saying, but at one time.
Speaker 1:you need two men in a truck oh absolutely, you definitely.
Speaker 2:Yeah, if you wanted to do it by yourself, you had to get through at least two hours early just to carry stuff in, you know.
Speaker 1:Did you have any hurdles to navigate through? Being a woman, being a DJ, being in a radio station?
Speaker 2:Yeah, there was a lot of weird things that happened that I couldn't quite explain. It got really weird. So, you know, honestly, I stepped back for a while, for a few years I was just like I can't do this because it was just so weird and I'm like this is just. You know, college radio, when you people are cut through, I mean God, thank God there's no money on the line. You know what I'm saying, because I don't know what would have happened. You know, it's just a lot of weird things. Like I had a couple of the other females that worked at the station two stations actually. There was two separate women and two separate stations that just hated me for, like no reason at all. One tried to fist-fight me. You know what I'm saying. It was crazy, yeah, it's just like I said it was weird.
Speaker 2:And then, like some of the guys were really weird, you know, because you know, like back when radio was, you know, the DJ was almost like star quality, you know what I'm saying and a lot of them were like really arrogant. They just do weird things and I just couldn't take it. And so then when I did came come back, that's when I changed my name and you know, and I left all that behind me because of my experiences in the past. You know, that's why I'm kind of a solo act, because I can control it. Now you know what I mean who's in my circle, who I let get close, who I even let in? You know what I'm saying. Now I'm in control.
Speaker 1:I was wondering because I haven't met too many. There's lots of DJs out there, female DJs I just haven't had the privilege of meeting them, and I was. That was one of the questions I was looking forward to asking you. So yeah, it still happens. It's crazy.
Speaker 2:Yeah, the male ego is something else, you know, and back then I was better than most of the guys, so you could imagine.
Speaker 1:Right, they were like oh no.
Speaker 2:Yeah, oh no.
Speaker 1:Yeah, right, so I come on, guys, get over yourselves. Uh huh, move over. I've been asking this question just to because I'd like to hear the answers about artificial intelligence, AI, in the music industry. Any feelings about it? I?
Speaker 2:haven't known have any emotions about AI in the music industry. I really looked into too much but because of this question I kind of read up on it a little bit just to see you know what exactly was going on with it and like there's a few different aspects, like there's the, the one that I would agree with the most would probably be helping the production area, like with your mix down or your levels or, like I said, you know, taking out noise and just making the song that I can, I can get on board with, but making a whole song with artificial intelligence is not. I don't. I think algorithms is what got the music industry in trouble in the first place. Yes, they moved from people like actually creating to letting a computer decide what people want to hear, and now what we have is a bunch of redundant nonsense that, like I can't even stand it.
Speaker 2:I remember like I drive up to work in the morning and what bad decided I was gonna listen to the radio because it's been ages, because I have a you know the USB. I listen to the house, you know. I said I'm listening to the radio today. I think I got halfway to work. I just couldn't take it anymore. I was like, what is this? Ah, it was driving me nuts. And then I blame that on the algorithms.
Speaker 2:You know, there's no one size fits all when it comes to creativity at all, and I don't care how much they think the computer it's my dog can mimic the human brain, and the word mimic is what people should pay attention to, because there's authentic and then there's trying to be like Mike. You know what I mean.
Speaker 1:Exactly, and I think you'll never be able to take away the personal touch or, you know, in any aspect at all, but certainly in the music industry, because that it is, it's all personal. Yeah, I mean, I'm like you said, though there's the pros, there's absolutely, absolutely good things. I had talked about this a year ago.
Speaker 2:Watch out, because this is going to blow up, and here we are, yeah, but if you think about it, people were already doing these things before artificial intelligence. So I don't understand why we would need artificial intelligence. And less is for people who, like I said before, don't want to put into work. They want the masters, but they don't want to take the classes.
Speaker 1:That's definitely the cons of it all.
Speaker 2:Any projects in the works for you, just working on some new designs for my t-shirt line. I got some house music stuff I'm working on I'm going to start this thing called urban art and I have these pictures that I drew and they're all like like urban based pictures, and so I found a place that'll take and make a digital file of it, because this is past style so you can't really copy it. I found a place that they could just take a shot of it and make a digital file and I'm putting those pictures on the shirts. So I'm going to say I did one or two so far, so I want to see how they fare. And the pictures, I think they're pretty cool. I have one that says it's like a graffiti type thing and there's a little guy that I drew standing there with a can and he's repainted. Music equals life on this wall. So that's the first one I did, yeah, and just keep trying to grow the show and get out there and maybe eventually monetize it.
Speaker 2:Absolutely, I know about the labor of love thing, but like when you love it it's not really a labor, you know, if you think about it, because even how many times if you said, oh, I can't do this anymore, and you're like, okay, what do I got to do next, you know right, okay, this whole year?
Speaker 1:Oh my gosh, absolutely. So where can people find you, get in touch with you, buy your t-shirts?
Speaker 2:Well, I have a Facebook handle is DJ Cocoa Motion, underscore music mixologist CT, and it's the same for Instagram. I have a page on Facebook, I have a DJ Cocoa Motion page and I have a piece of living house page and that's just geared towards like the show, my shirts I had do like I have waveforms, which is my other Facebook page, for those shirts and people just hit me up if they see something like mainly I'm a vendor. You know, I tried the whole like website thing but it was just so much work. You know, try to keep it up and it just it didn't pan out. So I was like I got to, I'll just let that go. And you know, like I said, I vendor a lot. That's why I make most of my money. I feel like I blanketed hard for Connecticut with those shirts.
Speaker 1:I swear that's all good, definitely, and is there anything that I haven't touched on that you would like to share with everybody? I think we got everything.
Speaker 2:I just like you know to say, if anybody, if you're not a househead, check out the piece of living house show, because you could be a househead.
Speaker 1:Absolutely, and you can check her out, dj Cocoa Motion, the music mixologist on R2 RB on Friday afternoons at 5pm. Okay, all right, gale, dj Cocoa Motion. Thank you so much for being here with me tonight. I wish you all the best and I can't wait to go. Look at your t-shirts.
Speaker 2:Oh, thank you, and thank you for having me. I appreciate the opportunity. You know. Continue success with just with the station.
Speaker 1:Thank you, you as well.